My Criterion Collection
I am a long-time movie fan and love to share the films I discover. I've developed a particular interest in acquiring Criterion label movies and have accumulated a small personal collection of Criterion Blu-Rays. This page can be thought of as a showcase of my Criterion Blu-Ray collection. Enjoy!
"Trainspotting" (Danny Boyle, 1996)
"Cure" (Kiyoshi Kurosawa, 1997)
"Mean Streets" (Martin Scorsese, 1973)
"Barry Lyndon" (Stanley Kubrick, 1975)
"Boyhood" (Richard Linklater, 2014)
"Friends of Eddie Coyle" (Peter Yates, 1973)
"The Seventh Seal" (Ingmar Bergman, 1957)
"The New World" (Terrence Malick, 2005)
"Do the Right Thing" (Spike Lee, 1989)
"Dazed and Confused" (Richard Linklater, 1993)
"The Trial" (Orson Welles, 1962)
"Kings of the Road" (Wim Wenders, 1976)
"The Fisher King" (Terry Gilliam, 1991)
"The Others" (Alejandro Amenábar, 2001)
"One False Move" (Carl Franklin, 1992)
"PlayTime" (Jacques Tati, 1967)
"Secret Sunshine" (Lee Chang-Dong, 2007)
"Rushmore" (Wes Anderson, 1998)
"Rosemary's Baby" (Roman Polanski, 1968)
"Dreams" (Akira Kurosawa, 1990)
"Nanny" (Nikyatu Jusu, 2022)
"Thelma &Louise" (Ridley Scott, 1991)
"For All Mankind" (Al Reinert, 1989)
"Blue Velvet" (David Lynch, 1986)
"Thief" (Michael Mann, 1981)
"Alice in the Cities" (Wim Wenders, 1974)
"The Squid and the Whale" (Noah Baumbach, 2005)
"Moonrise Kingdom" (Wes Anderson, 2012)
"Being John Malkovich" (Spike Jonze, 1999)
"Punch-Drunk Love" (Paul Thomas Anderson, 2002)
"Parade" (Jacques Tati, 1974)
"Citizen Kane" (Orson Welles, 1941)
"Deep Cover" (Bill Duke, 1992)
"The Lure" (Agnieszka Smoczyńska, 2015)
"Klute" (Alan J. Pakula, 1971)
"Y Tu Mamá También" (Alfonso Cuarón, 2001)
"Lost Highway" (David Lynch, 1997)
"Triangle of Sadness" (Ruben Östlund, 2022)
"Election" (Alexander Payne, 1999)
"Trafic" (Jacques Tati, 1971)
"Broadcast News" (James L. Brooks, 1987)
"The Piano Teacher" (Michael Haneke, 2001)
"Inland Empire" (David Lynch, 2006)
"The Elephant Man" (David Lynch, 1980)
"Medium Cool" (Haskell Wexler, 1969)
"Wrong Move" (Wim Wenders, 1975)
"Local Hero" (Bill Forsyth, 1983)
"Malcom X" (Spike Lee, 1992)
"Bowling for Columbine" (Michael Moore, 2002)
"In the Heat of the Night" (Norman Jewison, 1967)
"Eraserhead" (David Lynch, 1977)
"Repulsion" (Roman Polanski, 1965)
"This is Not a Burial, It's a Resurrection" (Lemohang Jeremiah Mosese, 2019)
"Benny's Video" (Michael Haneke, 1992)
"Husbands" (John Cassavetes, 1970)
"Monsieur Hulot's Holiday" (Jacques Tati, 1953)
"Shallow Grave" (Danny Boyle, 1994)
"The Curious Case of Benjamin Button" (David Fincher, 2008)
"Two-Lane Blacktop" (Monte Hellman, 1971)
"The Adventures of Baron Munchausen" (Terry Gilliam, 1988)
"The Irishman" (Martin Scorsese, 2019)
"Anatomy of a Murder" (Otto Preminger, 1959)
"Raging Bull" (Martin Scorsese, 1980)
"The Seventh Continent" (Michael Haneke, 1989)
"A Brighter Summer Day" (Edward Yang, 1991)
"Brazil" (Terry Gilliam, 1985)
"The Devil's Backbone" (Guillermo Del Toro, 2001)
"Crash" (David Cronenberg, 1996)
"The Sound of Metal" (Darius Marder, 2019)
"The Power of the Dog" (Jane Campion, 2021)
"The Virgin Suicides" (Sofia Coppola, 1999)
"Down by Law" (Jim Jarmusch, 1986)
"Night of the Living Dead" (George A. Romero, 1968)
"Eve's Bayou" (Kasi Lemmons, 1997)
"WALL-E" (Andrew Stanton, 2008)
"La Llorona" (Jayro Bustamante, 2019)
"Pan's Labyrinth" (Guillermo Del Toro, 2006)
"Being There" (Hal Ashby, 1979)
"Ali: Fear Eats the Soul" (Rainer Werner Fassbinder, 1974)
"Teorema" (Pier Palo Pasolini, 1968)
"In the Mood for Love" (Wong Kar Wai, 2000)
"Fear and Loathing in Las Vegas" (Terry Gilliam, 1998)
"12 Angry Men" (Sidney Lumet, 1957)
"71 Fragments of a Chronology of Change" (Michael Haneke, 1994))
"Take Out" (Sean Baker & Shin-Ching Tsou, 2004)
"Jabberwocky" (Terry Gilliam, 1977)
"Love Streams" (John Cassavetes, 1984)
"Sweet Smell of Success" (Alexander Mackendrick, 1957)
"The Game" (David Fincher, 1997)
"The Big Chill" (Lawrence Kasdan, 1983)
"Police Story" (Jackie Chan, 1985)
"Police Story 2" (Jackie Chan, 1988)
"Nightmare Alley" (Edmund Goulding, 1947)
"Stalker" (Andrei Tarkovsky, 1979)
"Nashville" (Robert Altman, 1975)
"Foreign Correspondent" (Alfred Hitchcock, 1940)
"Traffic" (Steven Soderbergh, 2000)
"Mon Oncle" (Jacques Tati, 1958)
"Walkabout" (Nicolas Roeg, 1971)
"The Magnificent Ambersons" (Orson Welles, 1942)
"All that Heaven Allows" (Douglas Sirk, 1955)
"Le Silence De La Mar" (Jean-Pierre Melville, 1949)
"Naked" (Mike Leigh, 1993)
"The Lady Vanishes" (Alfred Hitchcock, 1941)
"Daddy Longlegs" (Josh & Benny Safdie, 2008)
"Mulholland Dr." (David Lynch, 2001)
"Breaking the Waves" (Lars Von Trier, 1996)
"The American Friend" (Wim Wenders, 1977)
"Don't Look Now" (Nicolas Roeg, 1973)
"Twin Peaks: Fire Walk With Me" (David Lynch, 1992)
"1984" (Michael Radford, 1984)
"Yi Yi" (Edward Yang, 2000)
"Walker" (Alex Cox, 1987)
"Videodrome" (David Cronenberg, 1983)
"I Married a Witch" (René Clair, 1942)
"Until the End of the World" (Wim Wenders, 1991)
"Uncut Gems" (Josh & Benny Safdie, 2019)
"Tokyo Story" (Yasujirō Ozu, 1953)
"Time Bandits" (Terry Gilliam, 1981)
"The Vanishing" (George Sluizer, 1990)
"The Uninvited" (Lewis Allen, 1944)
"The Spy Who Came in from the Cold" (Martin Ritt, 1965)
"The Princess Bride" (Rob Reiner, 1987)
"The Player" (Robert Altman, 1992)
"The Night Porter" (Liliana Cavani, 1974)
"The Killing of a Chinese Bookie" (John Cassavetes, 1976)
"The Hit" (Stephen Frears, 1984)
"The Hero" (Satyajit Ray, 1966)
"The Grand Budapest Hotel" (Wes Anderson, 2014)
"The Celebration" (Thomas Vinterberg, 1998)
"The Brood" (David Cronenberg, 1979)
"The Battle of Algiers" (Gillo Pontecorvo, 1966)
"The Asphalt Jungle" (John Huston, 1950)
"Tess" (Roman Polanski, 1979)
"The Silence of the Lambs" (Jonathon Demme, 1991)
"Shock Corridor" (Samuel Fuller, 1963)
"Shadows" (John Cassavetes, 1959)
"Seven Samurai" (Akira Kurosawa, 1954)
"Scanners" (David Cronenberg, 1981)
"Salò, or the 120 Days of Sodom" (Pier Paolo Pasolini, 1977)
"Safe" (Todd Haynes, 1995)
"Repo Man" (Alex Cox, 1984)
"Rashomon" (Akira Kurosawa, 1950)
"Pink Flamingos" (John Waters, 1972)
"Phoenix" (Christian Petzold, 2015)
"Persona" (Ingmar Bergman, 1966)
"Paris, Texas" (Wim Wenders, 1984)
"Parasite" (Bong Joon-ho, 2019)
"Opening Night" (John Cassavetes, 1977)
"The Night of the Hunter" (Charles Laughton, 1955)
"Night and Fog" (Alain Resnais, 1955)
"Naked Lunch" (David Cronenberg, 1991)
"Mr. Klein" (Joseph Losey, 1977)
"Ministry of Fear" (Fritz Lang, 1944)
"Memories of Murder" (Bong Joon-ho, 2003)
"Matewan" (John Sayles, 1987)
"La Haine" (Mathieu Kassovitz, 1996)
"Insomnia" (Erik Skjoldbjærg, 1997)
"House" (Nobuhiko Obayashi, 1977)
"High and Low" (Akira Kurosawa, 1963)
"Frownland" (Ronald Bronstein, 2007)
"Faces" (John Cassavetes, 1968)
"Cronos" (Guillermo del Toro, 1993)
"Come and See" (Elem Klimov, 1985)
"Sex, Lies, and Videotape" (Steven Soderbergh, 1989)
"Chan is Missing" (Wayne Wang, 1982)
"Jour de Fête" (Jacques Tati, 1949)
"Blue is the Warmest Color" (Abdellatif Kechiche, 2013)
"Beau Travail" (Claire Denis, 1999)
"A Woman Under the Influence" (John Cassavetes, 1974)
"8 ½" (Federico Fellini, 1963)
"4 Months, 3 Weeks and 2 Days" (Cristian Mungiu, 2007)
My Current Criterion Blu-Ray Collection